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M + C Project M + C 프로젝트

Kichang Choi suggested [M+C Project] to track the traces of APAP by recycling the [Slow trans Anyang] (2010) that functioned as a medium to connect many places and programs of APAP, and potential public. The bicycles, that conveniently connected the places that were alienated because they were difficult to access, execute their function effectively to rediscover and connect the artworks of APAP that were forgotten and buried in our daily life, and disappeared so that it was not even possible to be evaluated. And a rap that expresses objective information and evaluation of an expert, and sentiments of general public play around the rim of our ear with the artworks we run into as the background as we ride or pull the slow and uncomfortable bicycle. What would we experience in the chaotic situation where objective/subjective information and professional/non-professional judgments regarding the artworks that suddenly appear in front of our eyes acoustically intersect and interrelated?

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